What We Know (and What We Don’t) about How the World Works

Our understanding of the world is based our perceptions of it, based on the physical evidence perceived with our senses. Beyond that, we also rely a lot on hearsay about things that accepted science has ascertained, whatever the method to procure it may be.

When you’re reading a story, the conventional expectation is that the events that happen inside the story are going to follow the same rules that are found in the actual world. If they do not, if things are allowed to happen within the story that are not allowed in the actual world (or vice versa, though that is rare) then the story in question is deemed “speculative” for the purpose of communicating with the audience.

We think of speculative fiction as having two distinct traditions and, to a certain extent, we are correct in this assumption. On the one hand, we have “Science Fiction” and on the other we have “Fantasy”. Both present things that do not happen in the world as we know it. But only one of them sets out with the express intent to show things that cannot happen.

The idea behind Science Fiction is expressly to present things that, according to science as we understand it now, could happen (or, in the case of the subgenre of Alternative History, could have happened, had historical circumstances been different). In fact, there have been cases in which a technology originally introduced as science fictional has become a reality; the most famous example is probably Jules Verne, with his submarines and moon rockets.

When someone sets out to write a work of Fantasy, though, there is no expectation of this. While it is possible that Dragons, in some way or other, might have existed at some point in Earth’s past, it would be a stretch to assume any connection between the kind of sympathetic magic often depicted in works of Fantasy, and the actual world we inhabit of agreed-upon science.

I once brought a script I’d written to a conference and showed it to an agent. The script was set in a world in which dragons and robots coexisted, and even—in an extended scene I am especially proud of—fought against each other. I had had some interest from other people who begged off on the basis that the script would be too expensive, but this particular agent said that she didn’t get it. “You’ve got dragons, you’ve got robots,” she decreed. “You don’t mix those. Audiences get confused.”

The idea that Science Fiction and Fantasy can’t coexist in the same story, is based on the theory that the traditions are incompatible. In essence, she was saying that when an audience departs from reality, they can go into one of two worlds, one of which is Science Fictional, the other Fantastical.

But the reality is that both Fantasy and Science Fiction are both extensions of reality. You’re always going to start off from something resembling our world in some way, shape or form. But Science Fiction is expressly not meant to be a different reality with different rules—it is a reality that obeys laws that we don’t have yet. This makes it an extension of our actual world.

Fantasy, on the other hand, is a contradiction of our actual world, presenting as it does things that cannot happen—could not, even in a Science Fictional set-up. So if Fantasy is going to contradict our world anyway, why not have the world it contradicts be a world that features science that we haven’t found yet. Magic (being defined here as anything Fantastical that doesn’t exist in the actual world) is an addition to reality on top of whatever Fictional Science has been provided.

And then of course we oughtn’t forget the fact that Dragons vs. Robots is just objectively cool. What audience in their right mind would turn that down, no matter what the supposed “contradictions”?


“The Battle Rages On”

Thomas Murphy went to war. He didn’t like being called “Tommy” after that. Truth be told, he never really liked being called “Tommy”, especially since “Tommy Murphy” sounds kinda lame, but he tolerated “Tom”. Tom Murphy.

Well, he didn’t die. I know you’ve been holding your breath for that one, so I’ll take pity on you. He survived, he even came back all in one piece. Physically, at least. But he’d seen things.

Even before his brother went off to college, when he’d get furloughed and get to come back, when he’d get leave, Declan could tell that he was different. More serious. More chiseled. Didn’t take the nonsense.

“Hello?” he would answer the phone, instead of his usual “Hey, man.”

“Hey, man,” Mickey answered, “What’s up? It’s Mickey, don’t know if you remember or if you recognized my voice.”

“What’s up, Mickey?” “What’s up?” Not “‘Sup?” or even “Hey, man.”

“Hey, man, I just wanted to talk to you. You wanna maybe come over and hang?”

“Well, I’m busy right now.”

“Yeah, no, it’s cool, just let me know.”

Truth be told, the new no-nonsense Tommy scared Mickey out of his mind.

“You ever hear from Kyle?” Declan asked him.

“I don’t talk to Kyle,” said Thomas Murphy.

“Is it ‘cause of what happened?”

“I just don’t talk to him. You know? I got better things to do now than listen to him go on about… I don’t know. All his college bullshit.”

That was while he was in, though, while Corporal Murphy was in the army and Kyle Niedermeyer was off “doing his own thing” in college, turning himself into a molder of young minds.

But now they were both back.

“Tommy,” Kyle said when his old friend showed up at his door one day. He was wearing a shirt, in case the unexpected visitor happened to be a student or something, but it wasn’t much of one.

Corporal Murphy didn’t correct his friend’s pronunciation. “Hello, Kyle.” The “Sir” was silent.

“How you been, man? Jeez, it musta been, like…”

“Lotta years.”

“Yeah.”

“Four? I guess.”

“Since graduation.”

There were only so many words in the English language.

“You wanna come inside?”

“No, I can’t stay,” Tommy lied.

“OK.”

“Have you heard anything from Aly?”

Kyle frowned, scratched his head. “I don’t know, not in a while, I guess. Why? You try talking to Jasper, maybe? He probably knows how to get hold of her.”

“No, no, that’s all right.”

“Are you sure you don’t want to come inside?”

Corporal Murphy was fidgeting. It was making Kyle nervous. A little.

“Do you still play?” asked the soldier.

“A bit,” said Kyle. “Not like I used to.”

“You ever think about…”

“What? About getting the band back together?”

“I don’t know.”

“I don’t know if the world can handle more of the Elk, man.”

For the first time since he got here, Tommy cracks a smile, almost like he’s himself again, but no.

“Listen, man, if you wanna talk to her—“

“I wanna talk to you.”

“OK.”

Pause. “I just don’t know how.”

“You think maybe you could start by coming inside?”

A hesitation.

“Hey. Tommy.”

“It’s Tom.”

“Tom. If you’ve got something to say…”

“No, forget it, man. Just forget it.”

But there are some things you just don’t forget.


A Natural Disaster

It was always going to be this way.

You knew it from the moment you first laid your eyes on her.

You knew it when she turned her eyes on you,
even as she smiled.

It couldn’t be what you thought it was.

Still you fell in love.

You let yourself.

You had to.

There wasn’t any other way.

You let yourself believe there was something, anything.

Something you wanted.

Someone who wanted you.

And now there’s the rain.

It crashes down to earth as you slap your hand.

“No, no, don’t think about her.”

You let it sink it, let it seep through your clothes to your skin,
making you sicker.

You sneeze and try to hide it, but it’s like thunder.

There’s flooding in the city.

You wade through salty pools.

Might as well be swimming.

Might as well drown.

But there she is, safe inside on the other side of the window.

Does she even feel the rain?

Does she even see it? Hear it?

Maybe it’s best that the rain be kept away from her.

Just carry the stormcloud over yourself.

This is your storm.

You knew it was coming from the start,
and still you stayed.

Why make her suffer through it?


Pronouns and Antinouns

Toebal Riek understood the idea of sunlight. Even though he had been constructed inside a laboratory far enough inside the Castle that he never got to see it, he knew what it was because he was programmed with a basic understanding of how the world works—at least according to the Benecorts.

“What pronouns should we use for Toeriek?” asked one of the scientists while constructing him. The language they were speaking was an offshoot of pre-Cortian in which all nouns were given a grammatical gender, either masculine or feminine. No neuter option.

“Probably best to assign him male,” said the lead scientist. “We don’t want our machines getting the idea that they can produce new life.”

And so, Toeriek was raised on the impression, given the masculine pronouns used for him, that he was biologically male. Despite the fact that he was actually a sexless robot.

But now, Toeriek was free and enjoying the outside world. Female sunlight fell on the male leaves that grew from the female branches of male trees that thrust male roots into the ground, which was usually female, unless it consisted of barren rock or any kind of artificial flooring. Male animals flitted through the underbrush (most animals were assumed to be male unless the beast’s gender was known, except predators, who were always treated as female, usually even if they did have male parts), while birds (a completely different class of nouns) each of which Toeriek would have called “she” if he’d been leaning towards English, flew through the male air while male droppings fell from their female excretion organs. It was all very wonderful.

Until his gaze fell upon something he could not classify.

Human beings, in his pre-Cortian language, were classified as female—being the world’s most effective predators—unless they exhibited identifiably masculine behaviors. This has produced some hilarious circumstances among translators in both directions, as it means many women will be treated as male for language purposes if they are seen to throw a punch, wear certain kinds of clothing or interrupt their interlocutors to make the same point in different words; and men would often be treated as women if they kept quiet or were vegetarians.

So it confused Toeriek when he came upon a young human in the woods whom he could not immediately classify. The human was short and somewhat stout, had short hair, smooth skin, a touch of fur growing on arms and legs, but not enough to be conclusive, and she carried herself (again, as a predator, assume it is female) with an unsettling combination of grace and swagger.

“Hello,” said the human. Somewhat awkwardly.

On the basis of that word, Toeriek decided the human must be an English speaker. This was good, because English was one of the languages Toeriek happened to have stored in his memory banks.

That being said, all of Toeriek’s interactive and humanizing programming was written in his pre-Cortian offshoot and thus, even if his English did come out flawless, he would still only be translating into it.

“I say,” Toeriek said by way of greeting, “what an attractive afternoon we are having this day.”

He could tell immediately ased on the confusing human’s facial ticks that his vocabulary might be problematic.

He feigned clearing his throat, then ventured, “Might I inquire as to your sexual organs?”

“Oh, God,” the human replied. Toeriek dutifully ran this response through his data-banks, but while both “O” and “God” were listed as possible pseudonyms for sexual organs, the respective entries were in opposite categories.

Toeriek decided on a more subtle approach. “What is your name?”

“I’m sorry,” said the human, “I don’t mean to be rude or anything, but are you a robot?”

“Robot” was listed in the data-banks as an only moderately offensive word for what Toeriek was. “I am an android,” Toeriek enunciated. “Now, what is your name?”

“Brooklyn Bailey,” the human said. “Why do you ask?”

“I really must classify you,” answered Toeriek. But neither of the names did any good. The name “Bailey” seemed to possibly have a tendency to be feminine, though not exclusively, but even so, it was presented in the position of a family name, which offered no help. And Brooklyn seemed to be the name of a place. This wasn’t working.

“Oh my God,” Brooklyn Bailey repeated. “You’re a robot and even you think you’re entitled to know what’s in my pants?”

“I must know,” Toeriek verified, “my tongue depends on it.”

“Ew!” cried Brooklyn Bailey, and Toeriek could tell the human was exhibiting indications of disgust. Though he did not know what he had said wrong, he seized the opportunity to gain more ground.

“I am sorry to disgust you,” he began. “Please, does your sexual aversion stem more from homophobia or from a rational distrust of what appear to you to be male advances?”

Language, he finally pieced together. Not tongue, “language”. 

He explained the slip of the tongue, but the human was still not satisfied.

“Jesus Christ!” said Brooklyn Bailey, “What does it matter what gender I am!”

Toeriek calmly explained his linguistic predicament.

Brooklyn let out a groan which Toeriek felt went on far too long to be entirely natural. “Fine. Look, I don’t care what you call me in your language, I don’t speak your language; if your language defaults to female, fine, whatever, I guess that makes up for all the Earth languages defaulting to masculine, but I speak English, so when you’re speaking in English, to me or to anyone else you’re talking to if you’re talking to anyone else without me—which would be kinda creepy anyway, because I don’t know you, but here we are—you refer to me as they. OK? They/their/them, those are my pronouns.”

Toeriek stored this in his memory banks, which meant that from now on, he would refer to Brooklyn Bailey only by their preferred pronouns.

“Thank them,” Toeriek said to Brooklyn Bailey. “Do they want me to leave now? I am enjoying their conversation.”

Brooklyn Bailey rolled their eyes and sighed, then proceeded to re-explain second person with the patience of a gender-neutral saint.


Primitive Reptile Brains

I don’t know what happened to me. From the moment I saw her, though, I don’t know. Something happened to me. Was it hormones, maybe? Some kind of pheromones in the air? Something she exuded. I don’t know.

That kind of thing doesn’t happen to me a lot. Just ‘cause I see a pretty girl, I mean, what the hell is beauty, you know? That’s just not how I fall in love, when I fall.

I guess love wasn’t really what heppened to me there, though. But I think what really did it for me was when she looked at me. How she smiled. Beautiful women like that just don’t smile at guys like me. Not how she smiled. They sure as hell don’t talk to us out of the blue, but even if they did, that smile.

I knew something was up. Didn’t I? I thought I did. I remember thinking “This can’t be real, it’s gotta be some trick.” So why did I…

No. I know why. I didn’t fucking care. Of course it’s a trick, I figured, that doesn’t mean I can’t enjoy it. Right?

Phoenix, she said her name was. Phoenix Drake. I didn’t think that was real, either. It sounded tailor-made to yank in dorks like me, obsessed with Fantasy. I guess I just appreciated that she cared, you know. That she made an effort. Or, I don’t know, maybe she was into it, too. Maybe that meant she was really…

But why me?

I never would’ve asked her back to my place, let alone invited myself to hers, you know? Did I think there was anything… sinister about… You know, she just seemed so genuine, you know? The way she smiled. Those wide, wide eyes. The way her eyebrows stayed up while I was talking.

“Wait,” I finally said. I didn’t say it till I was on her threshold.

Her look when she turned back was so curious.

“What’s going on here?”

The new smile on her face was different. Then she was biting her lip.

“I just thought maybe… you wanted something a little more… private.”

She leaned in close enough to me I started breathing in the air she was breathing out. There was something off about it. It was like, wet. Or maybe salty, something so… slick.

But her eyes were so innocent.

“I shouldn’t be doing this.” By the second time I chickened out, we were in her room, this quaint little tenement room in Baker’s Crescent, at the Arcade. By then, I had my shirt off and she was in… just the most beautiful corset.

And she gave me this look. So vulnerable. So hurt. Made me feel guilty for making her feel unwanted so suddenly. She raised her hands, as though to cover herself, her cleavage, but ended up touching herself instead. I think she asked something like “Don’t you want me?”

I guess you could say it finally tipped her hand. “Hold on,” I said, “You’re not…” She looked maybe late twenties, but… “You are over eighteen, aren’t you?”

She tucked in her chin and looked at me through her eyelashes.

“Well, actually,” she said, “I’m more than five thousand years old.”

“I’m serious,” I protested, though reeling at how perfect that answer was.

“Just relax,” she told me.

I think what might have happened then is that I got another dose or something? Everything stopped mattering as she leaned in and pressed her entire body against mine.

I shouldn’t say that. I shouldn’t blame. I know that I’m an adult. I know I should accept responsibility.

But no one deserves to be treated like this.

Once I started moving inside her, I realized something was wrong.

I know how I look and I confess it had been a really fucking long time, but I wasn’t a virgin or anything. I know how the inside of a woman’s vagina is supposed to feel. She had none of the soft fleshiness—I couldn’t even feel a pelvic bone down there. Instead, she was… I’d almost say “rough”, but it was like there was a hard tube ribbed on the sides (Ribbed for her pleasure, my brain told me.)

I looked into her eyes. “What are you?”

Now, only one eyebrow was up as she smiled and wrapped her legs around me to prevent my escape.

Suddenly, the whole room collapsed. The walls fell down and we were in some kind of lab and there were eyes. That was all I could see at first. Like a dozen pairs of eyes moving around the room with quick, darting movements. No. Not all pairs. Some didn’t become pairs of eyes till they turned. Then my vision adjusted.

“Relax,” she whispered. Then she licked my ear.

“What do you want?” I tried to ask. But whatever they had me on was working too well. One more dose and I groaned and spent myself inside her.

I remember hearing them tittering, hissing and croaking in what I can only assume was their native inhuman language.

I know you don’t believe me. I know it sounds like I’m saying I was abducted by aliens or something… But I wasn’t. I was lured into a sexual relationship with lizard people living right here in my hometown.


Counter-Bass and other Impressionists

Annabelle Schoenfeld was deaf. She had always been deaf. Her parents were both deaf and her father was third generation. They were very active in the community. But that didn’t mean that Annabelle didn’t have friends in the hearing community. She could lip-read and she could talk aloud if she had to, though she found most of her close friends liked learning and conversing in sign language because it made them think they had a secret. Some of Annabelle’s deaf friends were annoyed at the ableism inherent in this fetishization, but Annabelle didn’t care. It didn’t bother her. She just liked having friends with common interests.

One of those friends was Perrine Chagall. Annabelle liked her because they both had an appreciation for good art and a weakness for bad men. It was Perrine who had made Annabelle realize she needn’t stay with Etienne De Bakker just because she’d known him all her life after he started displaying abusive behavior, and now Annabelle was returning the favor by helping Perrine to realize that this guy Massimo was only using her for her art-world connections while he flirted and philandered his way through half of Elsene.

“He’s not a bad guy,” Perrine signed in his defense.

“Yes, he is,” Annabelle countered. “You know he’s a liar—you’ve caught him lying. It’s willful blindness on your part if you keep trusting him now.”

This led Perrine to make a crack about deaf people talking about blind people, whcih made Annabelle roll her eyes—but she was able to convince Perrine to do the right thing and dump him.

A few days later, they met up for coffee again after the fact. It was satisfying seeing Perrine finally talking some smack about that loser she’d been dating. But something was wrong.

“What’s going on?” Annabelle finally asked.

“What do you mean?”

“Don’t play dumb with me.”

If that had been a pun in Dutch like it is in English, Perrine would have snorted.

“You’ve been misunderstanding every other word I’ve said.” She was speaking out loud now, just to be sure the message was getting across. After all, Perrine wasn’t the one who was deaf. “Are you going blind?” Annabelle asked her friend.

“What? No!” That was what Perrine said initially, but after a little prying, Annabelle got a different story out of her. “I don’t know,” she sighed. “Things have just been a little fuzzy the last couple of days. Like when you unfocus your eyes—“

“You need glasses,” Annabelle explained to her.

“No!” Perrine insisted. “No, not yet. Please, just let me enjoy this for a while…”

Annabelle was confused, so Perrine went on to explain.

“Right now, everything’s fuzzy. It’s soft, without all the sharp edges of existence. Without glasses or contacts right now, it’s like the whole world is an impressionist painting.”

“That’s stupid,” Annabelle decreed. “You’re insane—you have to be able to see. You could have an accident—anything could happen.”

“You seem to do pretty well without your hearing.”

“I’ve been deaf my whole life,” Annabelle reminded her. “I’m used to it. You’re not and you could get yourself killed.”

But Perrine was immovable. She was seeing the world through the eyes of Van Gogh and loving every minute of it. She was passing by people on the street who she’d known for years and not recognizing them, which gave her the perfect excuse for not talking to them—unless, of course, they addressed her aloud; but then she just pretended not to hear.

Annabelle was concerned about this new development. At first, it was just Perrine she was concerned for, how she was fooling herself into thinking she was all right. But then something completely demented happened.

While she was coming home from work, she took a shortcut through a rather brightly-lit alley (as alleyways go) and noticed there was something wrong with the wall. It seemed… fuzzy. It immediately made her think of what Perrine had said about the world, about her new way of seeing it. It looked like a painting—a painting of a wall. She reached out and touched it—it didn’t feel like brick, like it should. Not that she’d ever felt that particular wall before, but she knew that brick walls aren’t supposed to feel like soft pillows. It made her fingers feel tingly, too. She looked at them and—no… She looked closer at her fingertips… Her fingerprints were gone! She looked away, panicked, looked at the other wall. The other wall was fine. She touched it with her other hand—brick. She touched it with the hand that no longer had fingerprints. A fuzzy patch stayed behind on the wall. She wondered if it would grow, it looked so much like moss.

“I’m fine,” Perrine insisted, though her apartment told a different story.

“Perrine, your sofa!”

“What?”

“I can’t sit on that, it’s practically moldy with fuzz!”

“But it’s soft!”

“But what is going on?”

“Who cares? The world is a beautiful place when it’s like this! It’s not all dark and sharp and definitive—“

“Perrine!” Annabelle shouted, angrily enough she could feel it in the floorboards even through her sensory haze. “What’s going on?” she demanded once she had her friend’s attention.

Just then, there was a knock at the door. Annabelle knew it because of the way Perrine flinched, her eyes flitting to the exit.

“Who is it?” said Annabelle.

“Just a minute!” Perrine shouted for the visitor.

“It’s him, isn’t it?” Annabelle signed, following it up with the sign they’d agreed on for Massimo, with an obscene twist that made Perrine blush. “You didn’t break up with him, did you? That’s what this is about: he roped you into some fuzzy pseudo-relatioship without clearly defined boundaries!”

“No!” Perrine insisted, but then softened. “Yes?”

“You need to break up with him,” Annabelle put her foot down. “You need to do it now and you need to do it decisively. It looks to me like the fate of the whole world could literally depend on it.”


Metaphors and Similes

I don’t like the way that people teach about Metaphors vs. Similes. I don’t like the way that the difference is defined.

“A simile,” they say, “Is where you say that the man was like a wolf as he approached the young woman. A metaphor is when you say that the man was a wolf.” As if the mere presence or absence of the word “like” made a difference in the sentence.

But the presence or absence of the word “like” is an accident of language. The real determination must be found in a semiotic distinction.

In semiotics, we define the difference between a “signifier” and what is “signified”, the symbol and what the symbol stands for. What the symbol stands for should be considered the “real” thing, which is signified in a symbol. In this case, the actant in the sentence is a man (“signified”), he is really a man, but he is represented by the symbol of a wolf (“signifier”).

You can leave out the word “like” in this sentence and it really isn’t going to make a damn bit of difference. Not when it comes to how the audience perceives it. Because in both cases, we are introduced to an actant who is a man, and then we are told he is a wolf. We know that no one can be both wolf and man at the same time, so regardless of the presence or absence of that magical word that’s supposed to turn gold into simile, we have to consider the actant as a man who is being compared (the actual meaning of “simile”) to a wolf.

“The man then lunged at her. He was a (like) wolf, tearing at her clothes to get at the flesh beneath.”

Whether or not we include the word, there is really only one way to read that.

So compare this sentence:

“The wolf stepped out of the bushes and spoke to the little girl.”

Let us be very clear about this: wolves, in our external reality, are not capable of speech. Therefore, we must assume while we’re doing a literal reading of this bit of text, that the wolf isn’t actually a wolf, that he is a stand-in for a man who will later devour her until she can be rescued by a woodsman.

However, this reading is not supported by the text, it is merely allowed. Only the signifier is present in the sentence, leaving any theoretical signified object to cast its shadow upon our imaginations. We can read the line as a metaphor, but the text does not compel us to.

That, to me, is the true difference between a metaphor and a simile. A simile tells us exactly what is going on and then provides an image we can compare it to. A metaphor just tells a story and leaves any hidden meaning to our collective imaginations.


“When the Levee Breaks”

Everyone in town would remember Hurricane Frances. It rained so much in those two days the first week of October that the dirty water at the reservoir overflowed and contaminated all of the clean water. At least that’s what they told us at school. As usual, my condition didn’t deliver the details on the parts of the story that were actually pertinent. all I got was a bit about the college kids.

Declan and Raven were both in their sophomore year and for them, once the news broke, that meant school had to shut down. They didn’t panic. They didn’t evacuate or anything like that. But the water didn’t run, so the school closed and they set up portapotties for people who didn’t want to go home for the week, or couldn’t.

“What you thinking, babe?” Declan asked. She sure as hell wasn’t going back to her parents’. Over the summer, she’d elected to stay with him. Awkward, considering his parents, but they were amenable, so they worked it through. Yet that didn’t hold her appeal as much as staying in the room that his roommate was evacuating.

Strange things were happening in town, though.

Having SchadowFreud come to play in the area back in the day, that was one thing, but SchadowFreud wasn’t where Anastasia Borgia had gotten her start. And her successor as the lead female vocalist of Acid Monsoon, Lucrezia Romanov… she wasn’t exactly living up to their dreams.

“Do you think we should go?” Declan asked.

“Where?”

Acid Monsoon. Didn’t you hear?”

“Hear what?”

“They’re playing in town.”

“No, I didn’t hear that. When did that happen?”

“Everyone’s been talking about it.”

But of course, Raven didn’t actually talk to anyone.

“It’s okay,” said Declan, “we don’t have to go.”

“No, it’s okay,” said his girlfriend. “I don’t really feel up to it, but you should go.”

I don’t know quite how to get into what happened next. I saw the whole thing in my vision—of course I saw it really only as it was going on. If I’d seen it the night before, maybe I could’ve convinced Declan to stay home and accompany his girlfriend out to the portapotty when she needed to go. As it was, all I could do was send him an ominous text he’d get four hours later telling him he needed to get in touch with Raven.

I saw the whole thing well enough to remember it afterwards, but Raven doesn’t remember it. Not well. At least that’s what she says. She claims all she remembers is going out to the portapotty and that something happened. And then her talon ended up covered in blood.

Have I talked about Raven’s talon? It was one of those cheap-yet-fancy Goth girl affectations: a three-inch claw that attached to her finger. It wasn’t designed for self-defense—wasn’t meant to be, anyway. When she did use it, it was usually in kinky games with Declan that I blush to even think about, but she happened to have it on her, so when “whoever it was” attacked her, it must have been some kind of instinct that kicked in.

She insists to this day that she doesn’t remember the guy’s face. But I have an excellent memory and I’ve gotten pretty good at drawing, to boot. I won’t say how, but I managed to get the young man in question found and properly punished.

Raven, meanwhile, was super-charged. Different people react to that kind of assault in different ways, I guess. Even through time: three years ago she’d have probably locked herself in her room, shut out Declan, shut out everyone, but something about having blood on that talon…

Once she stopped to think about it, that would scare her, what it said about her that she was so full of rage—but she’d won! She’d won and she needed to celebrate and her boyfriend was unreachable at a concert.

It was too late to get tickets herself. They had wanted to call the even a “Hurricane Concert”, playing on the irony of Acid Monsoon’s name, but after they figured out what was going on in the town, they renamed it their “Broken Levee” deal. But there were still a couple of bars that were open. And one of them never let a Thursday night go by without hosting karaoke.

I won’t say what song it was she was singing when the band walked in. Let’s just say you’ve never heard of it, but they had. The concert had been a success and the bar was their afterparty and they heard our girl Raven doing her thing and they just fell head-over-heels. Even “Lucrezia” agreed she sounded good before she realized what she was actually agreeing to.

Caspar June, the front-man, had a note sent to her inviting her over and she was deep into talking to them by the time Declan finally called her.

“Hey, how’d you like the concert?”

“Not bad, I’m at Weaver’s Pies, listen I got a weird text from Kassandra.”

“Jasper’s sister?”

“Yeah, she said I should call you—are you okay?”

“Why would Kassandra want you to call me?”

“Well, she is kinda psychic, so why don’t you tell me?”

“Oh! Actually, I do have something to tell you!”

The assault from earlier didn’t slip her mind, she just didn’t want to talk about it. But she did want Declan there. She was hoping he could share her glory. If only that had been the case.


The Death of Hurricane Frances

It had been raining for three days. That was what Vyxen O’Connell noticed. She didn’t watch the news—she preferred to get other people’s spin on it—and she really didn’t care about checking the weather. So she didn’t even really know there was a hurricane.

Of course, as hurricanes go, it was pretty unimpressive. I mean, obviously, if Vyxen didn’t even—not that she was the most observant person, but still. It didn’t rip up trees from their roots. It didn’t flood houses, that she could tell. It just rained. A lot. And she liked that.

But at the end of that one particular day, Vyxen O’Connell was walking home from class just as the reain was about to let up and she happened across an old woman on the ground by the side of the road, curled up in a ball in a coat—a coat made of leaves.

You don’t just see a coat that’s made of leaves and not stop to help somebody.

“Excuse me,” Vyxen said to the old woman, “do you need my help?”

“Bless you, child,” said the woman in the leaves.

Vyxen took the old woman by the hand and suddenly, there were fingers made of wind with a strong grip clutching at her hair and the woman, whose face was a cloud, pulled herself close in to Vyxen, peering at her face. “I know you mock me,” said Hurricane Frances. “You shouldn’t even be out of doors, even this far inland, but I have a little surprise for you.

The hand that Vyxen held was turning blue, and not from the grip.

The old woman whispered in the voice of the wind, “I promise you,” she said. “You will notice me here after I am gone!”

Then the hand in Vyxen’s burst like a water-balloon and the old woman in her coat of leaves fell back down to the ground, blending in with the rain.


Three Word Sentences. Ten Long Years.

Assignment for class. Principles of Performance. Several years ago. “Last ten years.” Three word sentences.

Decided to publish. (Second time around.) Hope you enjoy.

September the 11th. Moment of silence. Tim walks out. “It’s not fair. Terror is everywhere. Now the US. What’s the difference?”

Americans in Belgium. Wars are starting. Who’s to blame?

Drama at School. Play: No Exit. Crush is Estelle. Liked her once. (“Stop watching me!”) Sentenced to Hell. I’m the Devil. Revenge is sweet.

School Trip: Greece. In a mood. Like the scenery. Not my classmates. Friends not here. All in Tenerife. (Alternate school trip). First time drinking. Make-up, strip-tease, camera. Pictures at school. Teachers all smiling. “That’s not me! Don’t need alcohol!”

Prom after graduation. Then left Belgium. Scant hours later.

Got into University. Sarah Lawrence College. Co-ed since ’68. Still mostly girls. “We black-clad lesbians!” 40,000 a year. Need Financial Aid. Stupid Belgian Taxes! Too late applying. “My parents’ fault!”

Summer in Montreat. Family friends come. Bring their daughter. She likes me. Our parents approve. My first kiss. It’s wonderful, but… It’s all wrong. “She’s too young!” My mother: “And?” “She lives abroad. Paris is far. Won’t work out.” Her heart breaks. Mine does, too.

Minding the Gap-year. Getting a job. Cleaning hotel rooms. Then the Carmike. (A movie theatre.) Only till Christmas. My parents return. I’m for Houston.

Living with Vandi. My big sister. And her son. Craig is twelve. Also, her husband. (Not Craig’s dad.) I’m making bagels. Waking at four. Not having fun. Not saving money. Houston’s a bust. Left after March. Back to Brussels!

Via New York. Visiting Sarah Lawrence. “You’ll get money. You’re already in!”

Months in Brussels. Then back again. Summer in Montreat. No cleaning rooms. (Not Christian enough.) Back to Carmike. Waiting for money.

College won’t pay. Parents “too rich”. But… Belgian taxes?!? “Standard of living”. Fuck Sarah Lawrence! Bitches not worthy! Made Daddy-ji cry.

Went to UNCA. (Deferred acceptance there. Thank the heavens!)

Lauren likes me. John likes her. Sara likes girls. But also me? Orientation is bizarre.

Classes are easy. Also, Ballroom dancing. Dancing at Work. (The Waltzing Belgian!) Going to compete? Audition for theatre. “The Frankenstein Project”. Playing God “Eshu”. Need Thursdays off. For dancing, right? Doesn’t work out. Gave up dancing. Better on stage.

Working all summer. (Also taking classes.) Met Tadd working. I like fairies. Taught me astrology. Other stuff, too. Not saying more.

Car breaks down. I’m walking again. Five miles plus. Gotta make money.

Sophomore year starts. My siren appears. My delicate Ariel. She’s team Jacob. We were roommates. Sophomore slum hits. Then Hurricane Frances. Flood becomes drought. Water is infected. Classes are cancelled. Most students leave. Next week: Ivan. The Hurricane Hits. I’m still working. Trudging through rain. Still suffering terribly. Still punishing myself.

She’s so friendly. “Let’s be friends. Watch a play.” Jacob dumped her. Still doesn’t bite. Still sings, though. Wants me swimming. “Let’s be friends.” “I want you.” Not single now. “Still good friends?”

Vetoed this semester.

Montford Park Players. Conspiracy to recruit. (Ariel and Erinn.) Comedy of Errors. First Romantic Lead. Also, Henry V. Falling for someone… Nope, not interested. Then Sonia arrives.

She’s too young. “NC is weird. Laws are different.” (That’s a lie.) Her parents approved. Still awkward, though. High school girls. Not graduating, either.  Are you serious? Not going anywhere. Stopping this now.

No other prospects.

Play for KCACTF. Had a reading. Very last minute. During Exam Week. Reviews were mixed. Advisor hated it. (Didn’t read it? Could’ve prevented this!) Didn’t go anywhere.

Fragments of Sappho. Senior Project Play. An unparalleled disaster. “More girls,” they. But those girls? Not at auditions. Not finding them. People drop out. “April the 20th? Gotta get high. So terribly sorry!”

So what now? Got my degree. Couple of plays. Summer of Shakespeare. Romeo and Juliet. Henry the Sixth. Cyrano de Bergerac. (That’s honorary Shakespeare) And Much Ado. All Bad Guys. Guess that’s me. Roped into “Romance”. (David Mamet play. 2nd favorite part!) Staying till Christmas. Then Brussels bound. “Need Christmas Carol! Know any Directors?” “Got a degree.” “You want it?” “I write, too.” Loved my proposal. Conflicted with “Romance”. “Not this year.”

Back to Brussels. And Ericka returned. Winter Solstice, Kaiserslautern. She’s a lesbian? I’m oddly proud. “Still want you.” “Not right now”. (Who said which?)

A year, writing. Vyxen in Faeryland. Siren and Banshee. Couple Short Stories. Learned Spanish, pequeno. And some plays.

Christmas Carol 2008? “You haven’t directed?” “I have, some.” “Nothing full-length, though?” “Not as such.” Nothing to show.

Returned October 2008. Looking for jobs. “Haven’t been working?” “Been in Brussels. Wrote all year.” “Don’t need slackers.” Hired at Target. Ringing up products.

Cast in shows. Oedipus for Kids. Into the Woods. Amateur Film Project. (Featured my ex. Much older Sonia.) And Titus Andronicus.

Only scheduled evenings. Schedule conflicts suck. Not leaving shows. Cut back working. Still too stressful. Made a mistake… Quit day job. Really bad idea.

Trained at Block. Did some taxes. Taxes oddly fun. Kind of mathy. But only part-time.

Jobless by mid-April. Assistant Directing Cymbeline. Argh! Not talking…

Back to Brussels. Belgian Master’s Program? Easy to register! Just walk in! (Except foreign diplomas. Those take months.) No one knew? Smacked around some. Kicked off campus. (Hair too long? Coat too long?) “No student card.” Fucking Belgians, anyway!

Another year wasted. Wrote some screenplays. Went to Conferences. Learned to Pitch. Had a job. Managing a database. Didn’t kill me.

Fuck it: LA! Gotta go sometime! Got some cash. Do some pitching. Write some more. Maybe make it? Still no jobs. Still no prospects. Getting awfully lonely.

Accepted for Masters! Catholic University, Leuven! (The Dutch one). Call it Q-Lovin. (Left my car. Bitch-face crashed it. Blamed me, though. Whole other story.)

Western Lit Masters. Yeah, I rock. Did a play. Lanoye’s Mamma Medea. Acting in Dutch. After nine years. Made some friends. Fell in love? Maybe a little. Tried not to. I can’t stay. Brussels is home. But I need… I need this. Applied for more. Got into SCAD. Flew to LA. Retrieved the car.  Crossed the Country. Listening to Audiobooks. Singing out loud. Always moving forward.